Dstrukt's Chris James Hewitt focuses on the use of displacement in a 3D world, revealing the best way to mould its output into a detailed and twisted piece of digital art using Photoshop and Illustrator
Sometimes you need to step away from your computer to find inspiration, which can come from places as unlikely as the ground beneath your feet, but you must be willing to get your hands dirty. Derek Lea reveals how.
It's customary to leave something behind when you show your portfolio, so be sure to leave an object that will be a topic of conversation long after you've gone.
In part two of his e-commerce site series, Jason Arber recreates the design created in part one using HTML, which, thanks to stylesheets and a modern approach to code, is much less complicated than it looks.
Photoshop's Bitmap mode is commonly used for low-quality, low-resolution image compression. But you can also use this mode to imitate the line work of old print engravings. Scott Gursky reveals how.
Newcastle-based commercial artist Ian Keltie gives us an insight into his working methods and reveals how to create a bold and distinctive layered illustration using basic tools, a pen and a little bit of Photoshop
If you're looking to pep up your portfolio with interactive elements, but haven't quite grasped the complexities of Flash don't panic, says Chris Schmidt. DreamWeaver's components could be just what you're looking for.
The faces of your characters, regardless of their final destinations, should be designed to facilitate changing emotions and diverse facial expressions. Derek Lea demonstrates facial awareness.
In the final instalment of his three-part series, Derek Lea explains how flat textures, channels and paint effects can be used effectively to complete the transformation from untextured 3D to a mixed-media masterpiece.
Ever wanted to make your own printed T-shirts but didn’t fancy the expense? Jason Arber reveals a cheap and easy way to make a pseudo screen-printed T-shirt using , an embroidery hoop and a pair of tights