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 | Type of our times The 20th century saw type developments unimaginable to the old mid-millennium masters. We explore the history of modern typography, tracing its form from 1900 to the present day… |
 | Should design be left to the designers? Increasingly, designers are finding themselves at the frontline of a company’s business. But is there a need for more collaboration between designer and client to get the right commercial message across? |
 | Brand new colour Brands rely on colour as a shortcut to their customers' hearts, but how can a designer guarantee a palette says all the right things? We ask the experts... |
 | Behind the scenes at… Pollination Working on a commission for a leading architectural firm, TILT Design assembled a team of the best in graphic and 3D design to create a lavish exploration of modern lifestyles |
 | New directions Finding that perfect job, or simply stepping up to something bigger and better, can be a daunting process. But add a little knowledge to a lot of hard work and you could be well on your way. Nick Spence discovers the best way to ensure job satisfaction |
 | 20 tips on using colour Open your eyes to the potential – and pitfalls – of colour in the design process, with our top 20 essential tips… |
 | True colours Colour speaks to people. It’s one of the most instant forms of graphic communication, yet it can so easily be the medium most over-looked. Time, then, to open your eyes to colour all over again… |
 | Opening up a new era for type We take a look at the effect the much-publicised Guardian redesign and the ever-increasing adoption of OpenType by font designers will have on the typography industry and the way type is used |
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 Computer Arts December 2009
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 Computer Arts Projects December 2009
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