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Q&A: Chris Thompson This month Computer Arts talks to London-based designer and animator Chris Thompson about his work in animation and title design and his recent plans to work at Loyal Kaspar in New York |
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Profile: Stefan Gandl Stefan Gandl’s typographic skills have developed from playing around with black marker pens and Letraset as a kid to producing one of today’s best-selling design books… |
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Profile: serialcut In a Spanish design scene where you must compete and struggle to make a name for yourself, Sergio del Puerto has garnered the attention of clients across the world. Adrian Sandiford talks to the man behind Madrid’s best up-and-coming creative studio |
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Profile: Fenotype “I’m suddenly surprised by the thought that it might actually be possible to make a living from type design. Wouldn’t that be something?” Finnish font designer Emil Bertell describes the experience of starting out… |
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Q&A: Carolina Melis Sardinian-born Carolina Melis trained as a dancer and choreographer before specialising in illustration and animation. As a result, her work now reflects the grace and fluidity of dance |
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Profile: Hannah Stouffer With a stated aim of redefining ‘classic’ and a rich, elegant body of work, Hannah Stouffer mixes traditional opulence with modern-day influences to create a unique and heady style… |
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Profile: Swifty “I’m not an Erik Spiekermann type who can spend years and years and years perfecting an ampersand.” Type fanatic Swifty talks to Ed Ricketts about independence, boredom, and his pioneering acid jazz style... |
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Profile: Joshua Davis Some call him the bad boy of web design; others say he’s a pioneer. Adrian Sandiford discovers that, ultimately, Joshua Davis is an artist looking for patterns |
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 Computer Arts Summer 2009
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