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Q&A: Son of Rambo When film production duo Hammer and Tongs needed help to promote a Rambo-inspired film, they called in Preloaded. Rob Corradi tells us about Son of Rambo and the artists who drew First Blood |
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Profile: ID Society Integrating strategy, design and technology for a stellar client list, ID Society points the way to the internet’s future and, as Mark Penfold discovers, “it all comes down to relationships” |
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Profile: James Jarvis James Jarvis started his toy empire nearly a decade ago with his Martin character, spawning a universe which collectors fell in love with. On the verge of releasing his latest comic-book project – Vortigern’s Machine – he tells us his toy story… |
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Q&A: Jan Pinkava To mark the opening of a 20-year retrospective of Pixar’s work at London’s Science Museum, 3D World spoke to the Oscar-winning director about his work for the legendary animation studio, and its future in the wake of the recent Disney buyout |
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Q&A: Hector Ayuso Ros The annual OFFF festival takes place in Barcelona in May this year. Computer Arts talked to organiser Hector Ayuso Ros about the event’s “post-digital creation culture” |
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Profile: Loworks By blending influences as diverse as traditional woodcuts and modern pop culture, Japanese design agency Loworks has created a unique aesthetic. Jason Arber peers beneath the kooky artwork and uncovers an active obsession with quality |
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Profile: 123klan “You can’t stop it – graffiti is bigger than politics and even bigger than the United Nations.” Step aside – 123klan has arrived… |
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Profile: Foreign Office It took two years and a change of name, but Notting Hill’s most cosmopolitan studio has made the transition from graphic all-rounder to moving image specialist. Mark Penfold asks the three founders about fate, film and the future |
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