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 | Form London-based studio Form has established a reputation for great design on music industry briefs, working with huge bands and winning awards. Computer Arts Projects interviews the founders Paula Benson and Paul West |
 | Live performance graphics With live music drawing in audiences like never before, Mark Ramshaw takes a closer look at the opportunities for artists designing the posters, merchandise and show visuals that can turn a gig into a feast for the senses |
 | Profile: Noah Harris Rob Carney meets the former Precursor man behind album typography, games intros and those animal-infested idents for E4 |
 | Profile: group94 For Belgian web designers group94, small is beautiful. Dom Hall finds out how the firm’s approach has paid off |
 | Rich internet apps – design and development It’s no longer just about Flash. New technologies are easing some of the burden of creating rich media experiences on the internet and developing platform-agnostic apps. Michael Burns looks at what this change means for designers |
 | The music design revolution Within just a few short years, design for the music industry has altered beyond recognition. Lawrence Zeegen asks what this means for today’s designers |
 | Argentina An economic recession stopped Argentina from competing on the global design scene, but now it’s storming back. Andy Polaine looks at the designers putting the country back on the map |
 | Stefan Sagmeister “I’m looking for an emotional response that comes less from idea-based work and more from formal, visceral and style-based designs.” Garrick Webster speaks to the influential Stefan Sagmeister |
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 Computer Arts February 2007
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