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 | Illustrate >> animate Adding animation to your illustration work can reap great creative and financial rewards. But what does it take to make the small jump from Illustrator to Flash, Photoshop to After Effects and page to screen? Nick Spence finds out |
 | Expose yourself Go on, don’t be shy – expose yourself! Get out there and show the world just what you’re made of. Lawrence Zeegen gets the low-down on the crucial art of self-promotion… |
 | Q&A: Chris Thompson This month Computer Arts talks to London-based designer and animator Chris Thompson about his work in animation and title design and his recent plans to work at Loyal Kaspar in New York |
 | Behind the scenes: Secret Wars Hip-hop crowds have been treated to the thrills of live MC battles for years, so why shouldn’t illustration offer a similar spectacle? Tom Dennis checks out Secret Wars, where paint is sure to spill... |
 | Catch on to viral design Craig Grannell delves into the world of viral marketing and finds out how to design campaigns that sell themselves and appeal to increasingly weary consumers |
 | Profile: Stefan Gandl Stefan Gandl’s typographic skills have developed from playing around with black marker pens and Letraset as a kid to producing one of today’s best-selling design books… |
 | Profile: serialcut In a Spanish design scene where you must compete and struggle to make a name for yourself, Sergio del Puerto has garnered the attention of clients across the world. Adrian Sandiford talks to the man behind Madrid’s best up-and-coming creative studio |
 | Profile: Fenotype “I’m suddenly surprised by the thought that it might actually be possible to make a living from type design. Wouldn’t that be something?” Finnish font designer Emil Bertell describes the experience of starting out… |
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