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 | Easy money? Taking an iconic image and manipulating it isn’t particularly creative. And although it might be lucrative, it’s almost certainly illegal. But how long will the prime suspects avoid the strong arm of the law? |
 | Q&A: Alex Jenkins Alex Jenkins trained as an animator before becoming an interactive designer at agency Unit9. Here he talks about his techniques and the influence his background as an animator has had on his work |
 | Hand made! Old-school, hand-crafted techniques are challenging today’s most advanced digital technology. Illustrator and agent Lawrence Zeegen examines the graphic designer’s shift towards using traditional art skills rather than slick computerised processes… |
 | Behind the scenes: Is Not Magazine When is a magazine not a magazine? When the Is Not Collective turns its hand to it, that’s when. Tom Dennis discovers why the writing’s on the wall, down under |
 | Freelance survival guide A career as a designer or illustrator could mean working in a studio, as a specialist within a larger organisation or going freelance. Let’s consider the practicalities of freelancing in this expert survival guide... |
 | Profile: Kozyndan When two students met in a Californian classroom, it heralded the beginning of a marriage that would evolve into husband-and-wife illustration team Kozyndan. Adrian Sandiford discovers what it’s like to achieve commercial and artistic acclaim with your other half |
 | 20 tips for interactive designers Make life easier with our expert tips for creating better websites, interactive TV content and DVD menus… |
 | Beyond Web 2.0 Design is changing, and Web 2.0 is already yesterday’s news. Richard Wentk finds out why, in the futuristic world of web technology, new is already the new old… |
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