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 | When cultures collide When a Danish newspaper published cartoons of Muhammad there was a worldwide public outcry. We find out what the wider creative community can learn from the aftermath of these unfortunate events |
 | Just for the ‘F’ of it Behind the Scenes: When established US-based music TV channel fuse wanted to raise its profile, Juxt Interactive, a French ferret and a Fugly fairy were on hand to work some alliterative magic |
 | Q&A: Jan Pinkava To mark the opening of a 20-year retrospective of Pixar’s work at London’s Science Museum, 3D World spoke to the Oscar-winning director about his work for the legendary animation studio, and its future in the wake of the recent Disney buyout |
 | Q&A: Hector Ayuso Ros The annual OFFF festival takes place in Barcelona in May this year. Computer Arts talked to organiser Hector Ayuso Ros about the event’s “post-digital creation culture” |
 | Profile: Loworks By blending influences as diverse as traditional woodcuts and modern pop culture, Japanese design agency Loworks has created a unique aesthetic. Jason Arber peers beneath the kooky artwork and uncovers an active obsession with quality |
 | Profile: 123klan “You can’t stop it – graffiti is bigger than politics and even bigger than the United Nations.” Step aside – 123klan has arrived… |
 | Urban Digital The 1970s and 80s saw the emergence of graffiti culture, and its transition into a respected art form. Designer Ric Blackshaw traces the roots of his own passion for a whole new graphic language |
 | Crazy horses Horses? The trend for 2006? Rubbish, says Jason Arber. You’re better off sticking to something original |
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