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 | Behind the scenes at The Monster Mash A recent monster-themed exhibition at a small gallery in Bristol proved to be a masterstroke of self-promotion for Peskimo, a talented Cheltenham-based design duo. We find out what all the growling was about |
 | Selling out Traditional street art is often a mark of individuality and rebellion – so what happens when big business tries to get in on the act? |
 | The Cox Review With the UK’s industries under threat from emerging economies in the Far East, the Cox Review proposes that the UK competes through better use of design. So can industry become more design savvy? |
 | Digital graffiti The street art community has established an online presence that chronicles its past and unites it present. It could also define the future of graffiti… |
 | Profile: Foreign Office It took two years and a change of name, but Notting Hill’s most cosmopolitan studio has made the transition from graphic all-rounder to moving image specialist. Mark Penfold asks the three founders about fate, film and the future |
 | Go freelance If you made it your New Year’s resolution to start up your own design concern, but are still being driven mad by a job you can’t stand, now might be the time. Craig Grannell gets advice from those who have already made the leap |
 | Profile: iLovedust “We’ve been quite lucky, but there’s been a lot of blood, sweat and tears.” Not exactly a rags to riches tale, but it’s an impressive career so far… |
 | Q&A: Danny Yount Joe Russ chats to Danny Yount, the creative director responsible for the Emmy-award winning title sequence for US telly hit Six Feet Under and the recent Saul Bass-styled titles for the latest Warner Bros offering, Kiss Kiss Bang Bang |
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 Computer Arts February 2007
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