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 | Fusako Akimoto "My work is about time and space, it's what I'm interested in most." Fusako Akimoto puts things in perspective. |
 | Million dollar bash If 3D hardware and software costs have lowered so much, why do all-CG films still cost the earth to make, asks Craig Zerouni |
 | (Don't fear) the filter In recent years, Photoshop filters have developed a bit of an image problem. Now, thanks to the growing sophistication of the digital arts, the time may be ripe for their rehabilitation... |
 | Rising Stars: Ten studios to watch in 2005 In 2002, we produced our original list of CG studios to keep an eye on. This year, we're updating that selection. From independent shorts to long-form animation, these are the ten up-and-coming studios most likely to shape the industry in 2005 |
 | 2004: A 3D odyssey The intrepid tale of how a small team of British animators overcame enormous odds - including having to learn Maya from scratch - to accomplish their mission. Come in Framestore CFC's 3D department, do you copy, over? |
 | Effects at your fingertips Need a helping hand getting the most out of your filters? We show you how to create twenty fantastic filter effects, each using just five easy clicks... |
 | Evan Cagle Following last issue's Made in Japan feature, first-time Director Evan Cagle reveals why he's going to steer clear of Hollywood's rehashing of anime tropes for his animated short, Honey |
 | Experimental typography The digital era has brought about an explosion of new ideas and approaches in type design, but can the experimental school get along with typography's long-established traditions? |
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