Dstrukt's Chris James Hewitt focuses on the use of displacement in a 3D world, revealing the best way to mould its output into a detailed and twisted piece of digital art using Photoshop and Illustrator
Working on a commission for a leading architectural firm, TILT Design assembled a team of the best in graphic and 3D design to create a lavish exploration of modern lifestyles.
The quality of your cinematography can make or break an animation. Brush up your skills with this set of simple tips for framing, staging and editing shots.
Dstrukt's Chris James Hewitt believes third-party plug-ins can change the way you work in Photoshop forever. Here he reveals a great way to create realistic glitch effects to roughen-up your moving image work.
Computer Arts catches up with Oliver Wiegner of Berlin-based collective Ice Cream For Free, to talk about flea markets, designing for the music industry and What Makes Berlin Addictive.
Thanks to an impressive wealth of talent, innovation and creativity, motion graphics is still an emerging area for designers. Nick Spence catches up with a number of leading industry practitioners to find out what it takes to make it big.
Alex Jenkins trained as an animator before becoming an interactive designer at agency Unit9. Here he talks about his techniques and the influence his background as an animator has had on his work.
In the concluding part of 3D World's tutorial on creating a vehicle for a next-gen game, we look at the process of texturing the car and exporting the file ready for use.
It's easy to add extra depth to your motion graphics work using Illustrator's Collapse Transformation function to create simple 3D objects. Regular JJ Johnstone gives you all the know-how you'll need...