All After Effects articles

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  • Dynamic credit sequences

    Produce a short, explosive credit sequence using Adobe Premiere 2.0 and After Effects 7.0.

  • Profile: Fold7

    The word multidisciplinary is something of an understatement when it comes to describing Fold7. So how does this London-based agency maintain quality while working across so many areas of design? The secret is to always keep your eye on the brand.

  • Profile: Tom Hingston

    Tom Hingston's career in music design has taken in everything from creating flyers for club nights to putting together some of the most memorable cover images of the last few years...

  • Profile: D*Face

    He's been in the London news described as a renegade artist and keeps his identity hidden. We talked to D*Face, the man behind some amazing London street art.

  • Design in motion

    Thanks to an impressive wealth of talent, innovation and creativity, motion graphics is still an emerging area for designers. Nick Spence catches up with a number of leading industry practitioners to find out what it takes to make it big.

  • Set up a stop-frame animation

    Switch off your computer, clear your desk, grab your stills camera and get ready to have some fun with an old-school stop-frame animation.

  • Fake 3D in After Effects

    It's easy to add extra depth to your motion graphics work using Illustrator's Collapse Transformation function to create simple 3D objects. Regular JJ Johnstone gives you all the know-how you'll need...

  • Animate your type

    and share many common features, which makes for a fluid workflow. JJ Johnstone reveals how to create an impressive title animation using the two applications side by side.

  • Q&A: Chris Thompson

    This month, Computer Arts talks to London-based designer and animator Chris Thompson about his work in animation and title design and his recent plans to work at Loyal Kaspar in New York.

  • 3D motion tracking

    Effective use of motion tracking can transform your live-action footage. Motion graphics pro JJ Johnstone reveals how to use motion tracking when undertaking complex 3D compositing in Cinema 4D and After Effects.
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