Profile: D*Face
He's been in the London news described as a renegade artist and keeps his identity hidden. We talked to D*Face, the man behind some amazing London street art.
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Profile: Tom Hingston
Tom Hingston's career in music design has taken in everything from creating flyers for club nights to putting together some of the most memorable cover images of the last few years... -
Profile: Fold7
The word multidisciplinary is something of an understatement when it comes to describing Fold7. So how does this London-based agency maintain quality while working across so many areas of design? The secret is to always keep your eye on the brand. -
Dynamic credit sequences
Produce a short, explosive credit sequence using Adobe Premiere 2.0 and After Effects 7.0. -
Stunning showreels
Find out what makes an attention-grabbing showreel and slideshow. -
Easy rotoscoping
Utilise Auto-trace tool and rotoscoping your video footage is easier than you think. JJ Johnstone reveals the best way to import your layered Illustrator files to composite eye-catching 3D visuals without a 3D app. -
Animate your images
Looking to bring your illustrations to life? James Wignall demonstrates the skills needed to transform vector images into a Saul Bass-inspired animated sequence using Illustrator and After Effects -
Advanced colour correction
Colour grading is much more than just making colours match from shot to shot. It's also a way of selectively changing the look and feel of a clip. Here's how. -
Create liquid transitions
By cleverly combining filters and masks in After Effects you can easily make one layer swirl and ripple into the next to create a convincing liquid transition. Christopher Kenworthy explains how. -
Behind the scenes; The Microsoft 'Start Something' ads
For its biggest-ever advertising campaign, involving print and broadcast ads across 11 countries, Microsoft has enlisted some of the most cutting-edge motion graphics talent to help realise its dreams.
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