Tom Hingston's career in music design has taken in everything from creating flyers for club nights to putting together some of the most memorable cover images of the last few years...
The word multidisciplinary is something of an understatement when it comes to describing Fold7. So how does this London-based agency maintain quality while working across so many areas of design? The secret is to always keep your eye on the brand.
Utilise Auto-trace tool and rotoscoping your video footage is easier than you think. JJ Johnstone reveals the best way to import your layered Illustrator files to composite eye-catching 3D visuals without a 3D app.
Looking to bring your illustrations to life? James Wignall demonstrates the skills needed to transform vector images into a Saul Bass-inspired animated sequence using Illustrator and After Effects
Colour grading is much more than just making colours match from shot to shot. It's also a way of selectively changing the look and feel of a clip. Here's how.
By cleverly combining filters and masks in After Effects you can easily make one layer swirl and ripple into the next to create a convincing liquid transition. Christopher Kenworthy explains how.
For its biggest-ever advertising campaign, involving print and broadcast ads across 11 countries, Microsoft has enlisted some of the most cutting-edge motion graphics talent to help realise its dreams.
After Effects is not only a top special effects app used by broadcast professionals, it's also a first-rate animation package in its own right. Nick Sneath reveals how to transform your Photoshop files into a professional animatic.