What's it like to be an Italian illustrator with a Japanese soul? Dean Evans talks to legendary character designer Simone Legno about the essence of tokidoki.
"Jumping back to the world of humans gives me distance to think about the other things I do." Pete Fowler talks about life on and off Monsterism Island.
The most successful projects are all about good timing, says Hi-ReS!'s Florian Schmitt. Sometimes it's better to be the tortoise than the hare. Graeme Aymer finds out more about the London studio challenging tradition.
Sardinian-born Carolina Melis trained as a dancer and choreographer before specialising in illustration and animation. As a result, her work now reflects the grace and fluidity of dance.
Alex Jenkins trained as an animator before becoming an interactive designer at agency Unit9. Here he talks about his techniques and the influence his background as an animator has had on his work.
This year's D&AD Awards took place at the end of May. Joe Russ talked to illustration category judge Andrew Rae about the show, as well as his life as an illustrator, animator and Peepshow member.
To mark the opening of a 20-year retrospective of Pixar's work at London's Science Museum, spoke to the Oscar-winning director about his work for the legendary animation studio, and its future in the wake of the recent Disney buyout.