Before graphics software and computers, designers had to use scalpels, T-squares, Rotring pens, Cow Gum and art-board to create physical artwork. Adrian Shaughnessy recalls the days when art demanded painstaking craft.
The 20th century saw type developments unimaginable to the old mid-millennium masters. We explore the history of modern typography, tracing its form from 1900 to the present.
The digital era has brought about an explosion of new ideas and approaches in type design, but can the experimental school get along with typography's long-established traditions?
Recent Computer Arts cover illustrator Tom Lane reveals how he uses Illustrator and Fontographer to create impressive decorative typefaces that can be used to inject something special into your work.
When an abundance of choice leads to dithering away design time, perhaps we don't need any more new fonts, says Jason Arber. So how should we go about stopping the designers responsible from creating more and more choices?