Before graphics software and computers, designers had to use scalpels, T-squares, Rotring pens, Cow Gum and art-board to create physical artwork. Adrian Shaughnessy recalls the days when art demanded painstaking craft.
Recent Computer Arts cover illustrator Tom Lane reveals how he uses Illustrator and Fontographer to create impressive decorative typefaces that can be used to inject something special into your work.
"I'm not an Erik Spiekermann type who can spend years and years and years perfecting an ampersand."Type fanatic Swifty talks to Ed Ricketts about independence, boredom, and his pioneering acid jazz style...
"i'm suddenly surprised by the thought that it might actually be possible to make a living from type design. Wouldn't that be something?" Finnish font designer Emil Bertell describes the experience of starting out.
Stefan Gandl's typographic skills have developed from playing around with black marker pens and Letraset as a kid to producing one of today's best-selling design books.
From readable fonts that stretch the rules, to abstract projects created for aesthetic kicks, the experimental wing of typography is where the fun really happens. Dom Hall takes a closer look.
The right choice of typography isn't a life or death decision for creatives; it';s far more important than that. Here's your guide to 12 of the very quirkiest and most thought-provoking typefaces available.