The digital era has brought about an explosion of new ideas and approaches in type design, but can the experimental school get along with typography's long-established traditions?
The 20th century saw type developments unimaginable to the old mid-millennium masters. We explore the history of modern typography, tracing its form from 1900 to the present.
When an abundance of choice leads to dithering away design time, perhaps we don't need any more new fonts, says Jason Arber. So how should we go about stopping the designers responsible from creating more and more choices?
Next year 'Helvitica' celebrates its 50th birthday and, as a tribute, filmmaker Gary Hustwit has created a movie that celebrates the font's integral role in graphic design in the last half century. Joe Russ finds out more.
"A lot of packaging is just decoration its typefaces and colours and backgrounds. There needs to be a conceptual heart" Richard Murray explains the ethos behind Williams Murray Hamm.