If you want to use elements of street art in your commercial work, they need to be authentic. One of London's best-known graffiti writers, Rough, shows you how.
All you need is some inks and some brushes to turn a photograph of a car into a vector illustration. John Kelly of Joke Art talks you through the process
Create striking imagery in the spirit of past and present propaganda art. Command attention with sharp edges, minimal detail, bold colours, and the misappropriation of familiar iconic details.
Combining traditional media with digital techniques is a fail-safe way to add an interesting new dimension to your artwork, but you must be prepared to get your hands dirty, as Mark Mayers explains.
From rough sketch through to perfect vectorised artwork, illustrator John McFaul gets reminiscent about designing and preparing a vibrant graphic fit for any plank.
There are several ways to add metallic effects and inks to your images, but, as Research Studios' Jeff Knowles demonstrates, adding an extra metallic Pantone layer to your channels makes the process quick and easy.
These days, the designer's role doesn't stop at designing the record cover. Red's Ed Templeton explains how the look and feel is carried through to all manner of marketing materials.