All Interview articles

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  • Profile: Swifty

    "I'm not an Erik Spiekermann type who can spend years and years and years perfecting an ampersand."Type fanatic Swifty talks to Ed Ricketts about independence, boredom, and his pioneering acid jazz style...

  • Profile: Hi-ReS!

    The most successful projects are all about good timing, says Hi-ReS!'s Florian Schmitt. Sometimes it's better to be the tortoise than the hare. Graeme Aymer finds out more about the London studio challenging tradition.

  • Profile: Catalina Estrada

    Her illustrations have charmed people across the globe. Catalina Estrada tells Adrian Sandiford how a wide-eyed country girl became a worldwide success story.

  • Emily the Strange

    She's definitely not boring, she's Strange. Rob Reger, the designer behind Emily the Strange, talks about the evolution of an underground icon.

  • Profile: Trevor Jackson

    "Losing colour forces you to attract the viewer using only good concepts and powerful imagery." Multi-talented music producer and designer Trevor Jackson tells Vicki Atkinson.

  • Profile: MWM Graphics

    "Black-and-white is timeless, sexy and cold" believes Matt Moore. With a lifelong love of the medium, this designer is pushing the boundaries of monochrome work, as Ed Ricketts finds out.

  • Profile: Bleed

    Oslo-based graphic design agency Bleed has attracted clients and admirers far beyond the fjords and mountains of Norway. With Pepsi, Diesel, Deutsche Bank and IKEA among a growing list of clients, Nick Spence discovers the rewards of working at the cutting edge.

  • Profile: Noah Harris

    Rob Carney meets the former Precursor man behind album typography, games intros and those animal-infested idents for E4.

  • Form

    London-based studio Form has established a reputation for great design on music industry briefs, working with huge bands and winning awards. interviews the founders Paula Benson and Paul West.

  • Justin Maller

    He loves collaboration, and is a co-founder of the online collective depthCORE. But Justin Maller's solo work is no less of an achievement, as Rob Carney discovers.
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