London-based studio Form has established a reputation for great design on music industry briefs, working with huge bands and winning awards. interviews the founders Paula Benson and Paul West.
Oslo-based graphic design agency Bleed has attracted clients and admirers far beyond the fjords and mountains of Norway. With Pepsi, Diesel, Deutsche Bank and IKEA among a growing list of clients, Nick Spence discovers the rewards of working at the cutting edge.
"Black-and-white is timeless, sexy and cold" believes Matt Moore. With a lifelong love of the medium, this designer is pushing the boundaries of monochrome work, as Ed Ricketts finds out.
"Losing colour forces you to attract the viewer using only good concepts and powerful imagery." Multi-talented music producer and designer Trevor Jackson tells Vicki Atkinson.
Her illustrations have charmed people across the globe. Catalina Estrada tells Adrian Sandiford how a wide-eyed country girl became a worldwide success story.
The most successful projects are all about good timing, says Hi-ReS!'s Florian Schmitt. Sometimes it's better to be the tortoise than the hare. Graeme Aymer finds out more about the London studio challenging tradition.
"I'm not an Erik Spiekermann type who can spend years and years and years perfecting an ampersand."Type fanatic Swifty talks to Ed Ricketts about independence, boredom, and his pioneering acid jazz style...
Some call him the bad boy of web design; others say he's a pioneer. Adrian Sandiford discovers that, ultimately, Joshua Davis is an artist looking for patterns.