"There's usually a sense of mystery or ambiguity in my work, which I think leaves a piece open so that the viewer can bring their own interpretation." The legendary designer talks challenging icons and the power of collaboration with Garrick Webster.
"That's a tremendous advantage, to make a terrible blunder, because you learn that way." Graeme Aymer interviews the hugely influential designer and typographer.
Since she stepped into full-time illustration seven years ago, Autumn Whitehurst has become a star in both fashion and publishing. She tells Garrick Webster about style, colour and how to beat creative block.
Owned and run by its worldwide network of partners, Pentagram produces groundbreaking creative work across all disciplines, from architecture to identity. Partner Angus Hyland takes Nick Carson through his corner of the collective portfolio.
Legibility is overrated, declares London based designer and illustrator Craig Ward. Judging by the clutch of awards for his work, Julia Sagar thinks he's onto something.
"The world is changed by many hands all working at once. I think some of my work has influenced some of those hands." Tom Dennis meets the man on the cutting edge of multidisciplinary creativity.
"I want to go on to do bigger and better things. I don't want my highlight to already have happened." Deputy art editor Luke O'Neill meets a true visionary of modern illustration.
"The idea that the work you do could actually be of benefit to society... That just hit a brick wall called Thatcherism." Neville Brody demolishes design comfort zones with Graeme Aymer.
There's a lot more to the celebrated design studio headed by a pair of identical twins than fonts, discovers Ed Ricketts. But it took a move to New York to really demonstrate that fact.
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