"I think that process of cutting things together is still evident in a lot of my work. I'm more about scissors than pencils."Tom Dennis sits down with the interactive prophet to find out what makes him tick.
"Negative times can be very good for interesting work. When things are too easy you get boring and decadent projects."Mark Penfold interviews the legendary designer and typographer.
With a portfolio of regular magazine design work and a host of other projects on the boil, Studio 8 tells Ed Ricketts why print isn't going away any time soon.
Only six years old, one agency has won some of the biggest clients and tastiest jobs in the land. Garrick Webster talks to Studio Output about what comes next.
"The Who came to see me for a job. Then Cream. Then the Stones. And then The Beatles." Tom Dennis talks to the man John Lennon called 'His Royal Master Of Images'.
With her unique approach to typography and illustration, Canadian maverick Marian Bantjes has captured the attention of the design world. Matt Havercroft tracked her down to her remote island studio to explore her body of work.
"We like working in unusual new formats; it might be the video wall in the Nokia store, video ringtones, a gallery wall, a pavement or whatever." Garrick Webster talks to Universal Everything's Matt Pyke.
" I'm looking for an emotional response that comes less from idea-based work and more from formal, visceral and style-based designs." Garrick Webster speaks to the influential Stefan Sagmeister.
:phunk is a true tiger of a studio. Furiously prolific, the team has rewritten the rulebook for 11 years on the trot. Daniel West talks to partner William Chan about girls, vectors, and colon.