"Black-and-white is timeless, sexy and cold" believes Matt Moore. With a lifelong love of the medium, this designer is pushing the boundaries of monochrome work, as Ed Ricketts finds out.
The Embassy's original -style Citroën C4 spot became a worldwide cult hit. With the studio just having finished work on a sequel, we asked its CG team to reveal some of the ad's technical secrets.
Keyframing oscillating objects, such as a swinging pendulum or a bobbing buoy, can be a laborious task, but as demonstrates, a brief and flexible script can create natural movement in one clean sweep.
Flight is an extremely complex thing to design, but you can start by thinking about how birds move and how to most effectively rig your model to approximate this kind of motion.
Sardinian-born Carolina Melis trained as a dancer and choreographer before specialising in illustration and animation. As a result, her work now reflects the grace and fluidity of dance.