All Photoshop articles

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  • Design for music

    Remember the first book you bought? Or the first movie you saw? Thought not. Bet you can recall your first album though...

  • The war zone, part three

    In the final part of Photoshop's guide to producing a professional-quality VFX shot, we bring all of our disparate effects elements together in and focus on polishing the details

  • Create photo mosaics

    Computer Arts regular Christian Darkin reveals an easy way to create an impressive, complex-looking illustration from a grid of hundreds of smaller images, without giving a seizure.

  • Perfect cut-outs

    Fed up with cut-outs that look like they've been done with a pair of shears? Then sharpen up your results.

  • Colour replacement techniques

    For those occasions when you need to swap one colour for another, Photoshop provides a couple of tools that are an absolute necessity.

  • Behind the scenes at Pollination

    Working on a commission for a leading architectural firm, TILT Design assembled a team of the best in graphic and 3D design to create a lavish exploration of modern lifestyles.

  • 20 tips on using colour

    Open your eyes to the potential and the pitfalls of colour in the design process, with our top 20 essential tips.

  • Colour spot check

    Special inks such as metallics, fluorescents and varnishes are surprisingly easy to manage in Acrobat Professional.

  • Get track mattes right

    Track mattes are a very effective and creative way to generate an endless array of transitions for your motion projects. JJ and Robbie Johnstone reveal how to create track mattes in Photoshop using simple DV footage.

  • Digital displacement

    Dstrukt's Chris James Hewitt focuses on the use of displacement in a 3D world, revealing the best way to mould its output into a detailed and twisted piece of digital art using Photoshop and Illustrator
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