Having chosen London's East End as the home for their design studio, sisters Nicole and Petra Kapitza are bringing a fresh new approach to book design and typography.
The 20th century saw type developments unimaginable to the old mid-millennium masters. We explore the history of modern typography, tracing its form from 1900 to the present.
Whether it's an annual report or a simple newsletter, attention to detail when it comes to your type usage will result in a much more pleasing and readable design.
When an abundance of choice leads to dithering away design time, perhaps we don't need any more new fonts, says Jason Arber. So how should we go about stopping the designers responsible from creating more and more choices?