"That's a tremendous advantage, to make a terrible blunder, because you learn that way." Graeme Aymer interviews the hugely influential designer and typographer.
Anticipation. Very few design studios generate it and then live up to the hype. As Mark Penfold discovers, however, Non-Format is one design studio that does.
With three Type Directors Club awards in the last two years, Kris Sowersby is the man agencies turn to for a custom typeface. Garrick Webster goes behind the scenes.
Legibility is overrated, declares London based designer and illustrator Craig Ward. Judging by the clutch of awards for his work, Julia Sagar thinks he's onto something.
There's a lot more to the celebrated design studio headed by a pair of identical twins than fonts, discovers Ed Ricketts. But it took a move to New York to really demonstrate that fact.
"Negative times can be very good for interesting work. When things are too easy you get boring and decadent projects."Mark Penfold interviews the legendary designer and typographer.
Designer by day, fine artist by nature, Paula Scher's mastery of typography is all self-taught. Vicki Atkinson talks to her about her extensive portfolio of work.
With her unique approach to typography and illustration, Canadian maverick Marian Bantjes has captured the attention of the design world. Matt Havercroft tracked her down to her remote island studio to explore her body of work.