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Create striking portraits Hoang Nguyen explains how to create a simple composition, lay out an interesting background, and define the light source |
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Create a wall mural Anna Wray of Lo-fi Creative explains how to design a mural then turn it into paint on a wall |
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In and out of Photoshop If your illustrations become complacent and uninspired, break free of visual monotony by breaking away from your computer. Derek Lea shows you how to get out of Photoshop and come back in again |
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Envelope distortion in Illustrator Distortion effects can take the perfect lines of your vector illustration and give them a more organic or hand-sculpted appearance, says Sam Hampton-Smith |
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Shape-based illustration From the early Cubists to Siggi Eggertsson, there’s great design inspiration to come from mathematically derived shapes, as Ben the Illustrator reveals |
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Create illustrations for events, editorial and companies When you’re commissioned to produce an illustration, follow Mark Verhaagen’s advice on approaching the project |
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Making the most of MetalFX inks With technology still advancing the print techniques available to designers, ImagineFX art editor Paul Tysall explains how to ensure great results with MetalFX inks |
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Creative retouching It doesn’t matter how powerful Photoshop is – great results still depend on the skills of the user. Per Gustafson shares his expert advice for making mediocre photos magical |
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 Computer Arts December 2009
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