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| Combine textures with vectors Sometimes vector art, although infinitely flexible, appears too crisp and unnatural. A little wear and tear is the perfect remedy, says Derek Lea |
| OpenType: the fusion of design and technology OpenType technology has revolutionised the way designers work with type. Nick Cooke explains how to get maximum benefit from OpenType and enrich your creative output |
| Building a textured visual treat Digital artist Magnus Kjäll conjures up an impossible landscape combining nature photography and vectors |
| The language of fonts The choice of font can do as much to convey the message of a logo or title as the words themselves. Ed Ricketts spoke to Andrew Altmann about the thinking behind some recent type creations |
| Designing the Soho Gothic font Monotype designer Sebastian Lester explains the thinking behind Soho Gothic, a typeface intended to perform as well being the backbone of a global brand as it would in an edgy fashion magazine |
| Create a custom type illustration Whether you’re designing lettering for a print headline or a t-shirt logo, Jeremy Pettis shares some essential techniques for creating a striking ornamental type illustration |
| Mastering Bézier curves Used properly, the Bézier-curving Pen tool in Illustrator is extremely powerful and versatile. Ben the Illustrator shows you how to get the most out of it |
| Digitising a bespoke font Typography plays an essential role in branding and communicating a tone of voice. Neutura demonstrates how to convert a font design into a functional typeface |
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