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Make a plush toy Use a simple digital process and a variety of sewing techniques to make your own soft toy character… |
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Defringing hair Selecting fine strands of hair is one of the trickiest jobs in Photoshop, and it’s so hard to find bald models. Here Justin Maller shows you some clever techniques for making accurate selections of complex subjects |
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Ten-minute tutorial: Realistic mapping effects Create convincing results when mapping artwork on to any surface in Photoshop. Computer Arts regular Derek Lea explores the underrated Displace filter and employs a strategic array of Blending Modes |
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Masking with type Illustrator’s masking tools have long been a powerful part of its feature set. Here Martin Fewell shows you how to use masked images with typography to create an eye-catching illustration |
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Logotype design Using CorelDRAW you can create effective commercial illustrations in no time. Tom Knight shows you how by creating an illustrated logotype featuring spot colours and colour separations |
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Vanishing points The Vanishing Point filter is more powerful than it’s given credit for. Justin Maller shows you how to use this feature so that you can wrap images around multiple 3D planes with the greatest of ease |
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Distressed effects in Photoshop When you want to create convincing imperfections within your digital work, forget filters – the resources you need are all around you… |
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Symbol patterns Generate repeating patterns within finite regions, as defined by custom objects, to create innovative texture effects in your vector art. Derek Lea explains the techniques required to fashion this psychedelic masterpiece |
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 Computer Arts December 2009
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