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Boulder dash 3D World shows you how to blend live-action video footage with CG to create an animated sequence that Indiana Jones would be proud of |
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Crash Testing Leap tall buildings! Stop speeding bullets! Make it look like it hurts! 3D World reveals how to perform all of these death-defying stunts – without any keyframe animation! |
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Best practice: Compositing Simon Danaher reveals the best way to composite 3D objects into a still image without resorting to HDRI or Global Illumination techniques |
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Jungle fever Create the kind of sprawling, intricately detailed jungle terrain that even Madagascar’s creators would be proud of, with the help of 3D World and Vue 5 Infinite |
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Rigging complex joints “How do I make the mesh over my character’s joints deform correctly during movement?” 3D World provides the answers for Animation:Master users |
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Get started in animation 4 In the fourth and final part of our series of beginners’ animation tutorials, we’ll continue to develop our hopper’s character, by making him bounce around in a rather forlorn fashion |
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Texturing T-Rex Good texturing work isn’t just about digital painting: when a completed texture map is applied to a model, seams and smears may appear. Discover how to fix them with BodyPaint 3D |
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Create liquid transitions By cleverly combining filters and masks in After Effects you can easily make one layer swirl and ripple into the next to create a convincing liquid transition. Christopher Kenworthy explains how |
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 Computer Arts December 2009
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