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Sackcloth and gashes
Creating realistic animated cloth is a notoriously difficult process, but this tailor-made tutorial should help you get even the most misshapen characters clad with ease
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Work with perspective
In part two of his Illustrator masterclass, Derek Lea explains how symbol usage, feather effects and clipping masks can be used to add texture, colour and perspective to your tattoo-style illustration
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Creating and using logos
Slingshot’s Mat Burhouse demonstrates how to approach, create and use logos, from sketch book to style guide…
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The war zone, part two
In the second part of 3D World’s guide to producing a professional-quality VFX shot, we reveal how to create smoke and debris in 3ds Max, giving our image a genuine sense of motion
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Design a custom typeface
There may be tens of thousands of fonts out there, but that doesn't mean you can't create your own custom type solution for a unique logo...
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Create photo mosaics
Computer Arts regular Christian Darkin reveals an easy way to create an impressive, complex-looking illustration from a grid of hundreds of smaller images, without giving Photoshop a seizure
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Type on the web
Understanding how to use type effectively in your web projects can make all the difference to the final product…
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Digital glitch effects
Dstrukt’s Chris James Hewitt believes third-party plug-ins can change the way you work in After Effects forever. Here he reveals a great way to create realistic glitch effects to roughen-up your moving image work
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Computer Arts October 2006
3D World Christmas 2005 
Computer Arts Projects October 2006
MacFormat April 2005