Spray-can effects

By mixing 2D and 3D elements, it's possible to create an image that is so complex it's virtually impossible to work out which program has been used to create it. The beauty of this technique is that no image will ever be the same. You can add original artwork and interesting layers that will give your work instant originality.

This tutorial will explain, step by step, how to create 2D spray-can effects and stencils, which will then be transferred into Cinema 4D as a background for a 3D composition. Only then will Photoshop be used to add the all-important finishing touches.

We will demonstrate how some of the more traditional methods of image making can be used within a 3D program - in this case, Cinema 4D - and you'll learn how to successfully combine 2D with 3D to create unique designs and textures. Used correctly, 2D and 3D elements compliment each other brilliantly, and the results are always far more interesting than an ordinary glossy render.

So to start with, we'll take a look at how best to go about creating spray-can effects and stencils by hand and then the process of photographing and transferring them into a Cinema 4D scene. From there you'll be shown how to make the most of lighting, textures, layering and how best to build up a range of 3D elements in the 3D space.

Finally, you'll use Photoshop to mix elements, create layers and add colour to your image using the program's extensive blending options. I hope this new approach and range of techniques will show you how to produce original, modern effects throughout your 3D illustration work.