|
| Nesting your styles There’s nothing fun or creative about applying Character Styles. So let InDesign do the work for you, says Susannah Hall |
| Create a logo identity If you’re setting up on your own, you’re going to need a logo. Follow Alan Wardle’s advice on how to create a unique design |
| Figure drawing techniques Figuring it out: Ron Lemen explains the basics of figure drawing and explores the Reilly method of working |
| Boost your images with Lab colour Working in Lab enables you to add punch without affecting detail, luminance or contrast. Sam Hampton-Smith shows you how |
| Create striking portraits Hoang Nguyen explains how to create a simple composition, lay out an interesting background, and define the light source |
| Create a wall mural Anna Wray of Lo-fi Creative explains how to design a mural then turn it into paint on a wall |
| In and out of Photoshop If your illustrations become complacent and uninspired, break free of visual monotony by breaking away from your computer. Derek Lea shows you how to get out of Photoshop and come back in again |
| Envelope distortion in Illustrator Distortion effects can take the perfect lines of your vector illustration and give them a more organic or hand-sculpted appearance, says Sam Hampton-Smith |
| SUBSCRIBE! |
|
|
|
|
|
© Future Publishing Limited. Reg No. 2008885 England. 30 Monmouth Street, Bath, BA1 2BW. |
||||||||||||||||||||||