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Shape-based illustration From the early Cubists to Siggi Eggertsson, there’s great design inspiration to come from mathematically derived shapes, as Ben the Illustrator reveals |
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Create illustrations for events, editorial and companies When you’re commissioned to produce an illustration, follow Mark Verhaagen’s advice on approaching the project |
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Making the most of MetalFX inks With technology still advancing the print techniques available to designers, ImagineFX art editor Paul Tysall explains how to ensure great results with MetalFX inks |
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Creative retouching It doesn’t matter how powerful Photoshop is – great results still depend on the skills of the user. Per Gustafson shares his expert advice for making mediocre photos magical |
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Combine textures with vectors Sometimes vector art, although infinitely flexible, appears too crisp and unnatural. A little wear and tear is the perfect remedy, says Derek Lea |
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OpenType: the fusion of design and technology OpenType technology has revolutionised the way designers work with type. Nick Cooke explains how to get maximum benefit from OpenType and enrich your creative output |
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Building a textured visual treat Digital artist Magnus Kjäll conjures up an impossible landscape combining nature photography and vectors |
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The language of fonts The choice of font can do as much to convey the message of a logo or title as the words themselves. Ed Ricketts spoke to Andrew Altmann about the thinking behind some recent type creations |
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