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| Taming a spot UV Travel with McFaul on a journey of self-discovery via the finer points of designing and preparing artwork for one-colour spot UV printing… |
| Illustrative design Von Glitschka explains how you can use straightforward illustrative techniques to solve the visual problems of creating a professional-looking logo |
| Pixels and vectors The gap between working with pixels and vectors in Photoshop and Illustrator is closing rapidly, thanks to Smart Objects. Derek Lea explains all while creating a highly textured yet vector-sharp masterpiece |
| Graffiti stamp art in Photoshop Adding urban flavour to your artwork is easy. Derek Lea defies convention with the Brush tool, and explains how presets work… |
| 10 minute tutorial: Type within type When you convert type to outlines in InDesign it creates a frame that can contain a picture or be used as a text frame that you can then fill with type |
| From spray paint to pixel If you want to use elements of street art in your commercial work, they need to be authentic. One of London’s best-known graffiti writers, Rough, shows you how… |
| From sketch to wall It’s all in the preparation. Luca Bratsi shows you how to take a sketch and get it ready for spray painting onto a wall… |
| Extreme sports branding, part one In the first part of Go Media’s series on cross-media design, Oliver Barrett shows you the process of creating a logo and print piece for an extreme-sports brand. Next month, he’ll be adapting it for the web |
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