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Following a music design brief These days, the designer’s role doesn’t stop at designing the record cover. Red’s Ed Templeton explains how the look and feel is carried through to all manner of marketing materials… |
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Stationery objects Creating a range of branded stationery isn’t always easy. Jason Arber shows you the key steps to perfect paper work… |
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Photocopier effects Fresh from her appearance in this year’s Computer Arts Graduate Showcase, talented illustrator Susan Burghart reveals the techniques she uses to add gritty texture to her clean vector illustrations |
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Developing a brand Zip Design shows you how to create a logo and brand for an album release and associated marketing materials... |
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Work with perspective In part two of his Illustrator masterclass, Derek Lea explains how symbol usage, feather effects and clipping masks can be used to add texture, colour and perspective to your tattoo-style illustration |
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Creating and using logos Slingshot’s Mat Burhouse demonstrates how to approach, create and use logos, from sketch book to style guide… |
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Design a custom typeface There may be tens of thousands of fonts out there, but that doesn't mean you can't create your own custom type solution for a unique logo... |
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Create photo mosaics Computer Arts regular Christian Darkin reveals an easy way to create an impressive, complex-looking illustration from a grid of hundreds of smaller images, without giving Photoshop a seizure |
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