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Illustrating with vectors and pixels Luke O’Neill takes advantage of Illustrator and Photoshop’s strong points to create his work of dark art |
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Illustrate a vinyl toy Triclops reveal how to use sticker sheets and Illustrator to transfer your character designs from pencil sketch to custom platform toy |
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Using blends to create depth Working with vectors needn’t be flat, says Sara Haraigue, if you know how to breathe life into them through dynamic use of Illustrator and Photoshop |
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Warp tool and texture experiments Be inspired to create out-of-this-world works using the Warp tool and source material at your disposal. Design duo Shotopop shows you how |
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Add self-initiated projects Doing personal projects alongside commissions can be a great way to diversify your portfolio, says Sam Gilbey |
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Headline layout 101 Magazine designer Simon Helyar reveals some of the rules behind creating an impactful headline while keeping a structured page layout |
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Explore and combine new textures You don’t always need to be gentle with texture. Mix and match, like Átila Meireles, for the most effective results |
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Create a balanced T-shirt graphic In an era of tough T-shirt design competition, Jared Nickerson shows you how to make sure your threads are quality |
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 Computer Arts November 2009
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