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| Light and colour Transform ordinary renders into iconic images with this simple set of artistic guidelines from 3D World for harnessing the power of colour and tonal contrast in your work |
| 3D World’s question of the month “How do I set up FG for photorealistic rendering?” |
| Sackcloth and gashes Creating realistic animated cloth is a notoriously difficult process, but this tailor-made tutorial should help you get even the most misshapen characters clad with ease |
| The war zone, part two In the second part of 3D World’s guide to producing a professional-quality VFX shot, we reveal how to create smoke and debris in 3ds Max, giving our image a genuine sense of motion |
| Digital glitch effects Dstrukt’s Chris James Hewitt believes third-party plug-ins can change the way you work in After Effects forever. Here he reveals a great way to create realistic glitch effects to roughen-up your moving image work |
| Cinematography for 3D animators The quality of your cinematography can make or break an animation. Brush up your skills with this set of simple tips for framing, staging and editing shots |
| Dynamic credit sequences Produce a short, explosive credit sequence using Adobe Premiere, Flash and After Effects… |
| The war zone From source photograph to final composite: recreate this eye-catching visual effects shot from scratch with the help of 3D World’s new three-part series of tutorials. This month: setting up a proper VFX pipeline |
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