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| Get started in CG lighting – part one In this new series of beginners’ tutorials from 3D World, we’ll be exploring the techniques required to create subtle, flexible lighting set-ups. We’ll start with a simple scene, adding complexity as we go |
| Creative compositing By combining 2D and 3D elements you can create breathtaking composites. Hugo Delevante shows you how by explaining the creative process behind his piece Self Residual Image |
| Best Practice: Pixel art animation Trevor Van Meter uses ImageReady’s animation tools to create a ten-frame run cycle for a pixel animation featuring the character he created in issue 117 |
| Crowd control 3D World shows you how to bring virtual fish to life by creating an underwater flocking simulation with 3ds Max 7’s Crowd system |
| Animate your images Looking to bring your illustrations to life? After Effects expert James Wignall demonstrates the skills needed to transform vector images into a Saul Bass-inspired animated sequence using Illustrator and After Effects |
| Animate your vector artwork Use Illustrator CS2 and Flash to turn your vector illustrations into an animation for the web |
| Boulder dash 3D World shows you how to blend live-action video footage with CG to create an animated sequence that Indiana Jones would be proud of |
| Crash Testing Leap tall buildings! Stop speeding bullets! Make it look like it hurts! 3D World reveals how to perform all of these death-defying stunts – without any keyframe animation! |
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