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| The war zone From source photograph to final composite: recreate this eye-catching visual effects shot from scratch with the help of 3D World’s new three-part series of tutorials. This month: setting up a proper VFX pipeline |
| Photorealism explained Berlin-based designer and illustrator Susanne Paschke reveals how to create photorealistic illustrations in FreeHand using Path tools and simple colour selections. And there's not an Autotrace tool in sight |
| Colour replacement techniques For those occasions when you need to swap one colour for another, Photoshop provides a couple of tools that are an absolute necessity… |
| Pattern-based images It’s easy to speed up your workflow using simple images and motifs created in Illustrator. McFaul uses Photoshop to create swatches and patterns to fill a desired space and demonstrates what can be done with a little imagination |
| Colour spot check Special inks such as metallics, fluorescents and varnishes are surprisingly easy to manage in Photoshop, Illustrator and InDesign… |
| Get track mattes right Track mattes are a very effective and creative way to generate an endless array of transitions for your motion projects. JJ and Robbie Johnstone reveal how to create track mattes in After Effects using simple DV footage |
| Colour mixing for print Fully exploit the expressive potential of the print process in your creative work by exploring the technique of overprinting… |
| Body beautiful CG artist Alessandro Baldasseroni walks us through the creation of an anatomically correct cover star for 3D World |
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