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  Tutorial

  Work with perspective

  In part two of his masterclass, Derek Lea explains how symbol usage, feather effects and clipping masks can be used to add texture, colour and perspective to your tattoo-style illustration.

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  Tutorial

  Creating and using logos

  Slingshot's Mat Burhouse demonstrates how to approach, create and use logos, from sketch book to style guide.

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  Tutorial

  Design a custom typeface

  There may be tens of thousands of fonts out there, but that doesn't mean you can't create your own custom type solution for a unique logo...

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  Tutorial

  Create photo mosaics

  Computer Arts regular Christian Darkin reveals an easy way to create an impressive, complex-looking illustration from a grid of hundreds of smaller images, without giving a seizure.

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  Tutorial

  Type on the web

  Understanding how to use type effectively in your web projects can make all the difference to the final product.

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  Tutorial

  Digital glitch effects

  Dstrukt's Chris James Hewitt believes third-party plug-ins can change the way you work in Photoshop forever. Here he reveals a great way to create realistic glitch effects to roughen-up your moving image work.

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  Tutorial

  Editorial type design

  Whether it's an annual report or a simple newsletter, attention to detail when it comes to your type usage will result in a much more pleasing and readable design.

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  Tutorial

  Perfect cut-outs

  Fed up with cut-outs that look like they've been done with a pair of shears? Then sharpen up your results.

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  Tutorial

  Create a classic typeface

  Develop a classic yet stylish font family that's fully adapted for modern technology and ideal for use in books and magazines.

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  Tutorial

  Cinematography for 3D animators

  The quality of your cinematography can make or break an animation. Brush up your skills with this set of simple tips for framing, staging and editing shots.

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  Tutorial

  Japanese-style tattoos

  In part one of his new Adobe masterclass on digital skin art, Derek Lea reveals the benefits of using template layers and explains the intricacies of creating and working with custom brush strokes.

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  Tutorial

  Dynamic credit sequences

  Produce a short, explosive credit sequence using Adobe Premiere 2.0 and After Effects 7.0.

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  Tutorial

  Photorealism explained

  Berlin-based designer and illustrator Susanne Paschke reveals how to create photorealistic illustrations in using Path tools and simple colour selections. And there's not an Autotrace tool in sight.

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  Tutorial

  Colour replacement techniques

  For those occasions when you need to swap one colour for another, Photoshop provides a couple of tools that are an absolute necessity.

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  Tutorial

  Pattern-based images

  It's easy to speed up your workflow using simple images and motifs created in Illustrator. McFaul uses to create swatches and patterns to fill a desired space and demonstrates what can be done with a little imagination.

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  Tutorial

  Colour spot check

  Special inks such as metallics, fluorescents and varnishes are surprisingly easy to manage in Acrobat Professional.

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  Tutorial

  Get track mattes right

  Track mattes are a very effective and creative way to generate an endless array of transitions for your motion projects. JJ and Robbie Johnstone reveal how to create track mattes in Photoshop using simple DV footage.

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  Tutorial

  Colour mixing for print

  Fully exploit the expressive potential of the print process in your creative work by exploring the technique of overprinting.

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  Tutorial

  Design a portfolio magazine using InDesign

  Follow this step-by-step guide to creating a clever pamphlet which can be used to showcase your work…

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  Tutorial

  Create a payment system

  In the first two instalments of this three-part e-commerce series, you designed a site and built it using CSS. In this final stage, Jason Arber uses PayPal to add a shopping cart that'll handle all those vital transactions.

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  Tutorial

  Printing your portfolio

  Ever been disappointed by attempts to print off your artwork? We show you how to get the best results for your portfolio.

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