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  Tutorial

  Mix pixel and vector

  Newcomer Ingi Erlingsson saves you the trouble of choosing between popular design applications by showing you how to effectively use Photoshop and Illustrator together, with impressive results.

• 

  Tutorial

  Warp your images

  In the second part of his series, Derek Lea continues to transform a flat rendering into a textured masterpiece by incorporating two new features: Smart Objects and Warp Transformation.

• 

  Tutorial

  Create a t-shirt stencil design

  Draw and apply a three-colour stencil onto a t-shirt, using templates made in FreeHand .

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  Tutorial

  Easy rotoscoping

  Utilise Auto-trace tool and rotoscoping your video footage is easier than you think. JJ Johnstone reveals the best way to import your layered Illustrator files to composite eye-catching 3D visuals without a 3D app.

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  Tutorial

  Create your own graffiti fonts

  Make graffiti in your own style by building handwritten font sets in Photoshop and Illustrator.

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  Tutorial

  Displacement effects

  Former entrant Pete Harrison uses Photoshop's Displacement filter creatively to modify a photograph, using a variety of shapes and Blending Modes to add extra depth and interest.

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  Tutorial

  Showcasing your work on paper

  It's one thing creating outstanding work, but it's another getting it noticed by potential clients. Find out how best to show off your skills in print.

• 

  Tutorial

  Work smart with symbols

  Computer Arts newcomer, web and graphic designer Nick La, reveals the tricks you need to recreate this striking Chinese bamboo illustration using only the power of Symbolism tools in Illustrator.

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  Tutorial

  Easy vector compositions

  newbie Darren Firth demonstrates the advantages of mixing up software packages and uses , and to tackle the troublesome issues of picking colours and creating random shapes

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  Tutorial

  Reeling in new clients

  Produce a stunning showreel that will command the attention of potential clients.

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  Tutorial

  Vivid colour effects

  Wizard Jort Braam combines abstract images with black and white photography, using gradients, blurs and Blending Modes to create a stunning composited image that's bursting with colour and movement.

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  Tutorial

  Create a retro logo

  Get inspired by movie posters of the 70s to create an illustrative logo with a funky contemporary feel.

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  Tutorial

  Texture 3D images; part one

  Derek Lea explains how to add textured surfaces and tactile elements to 3D renderings in . The unique results will reveal a combination of the depth provided by 3D and the painterly freedom of working in 2D.

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  Tutorial

  Raster and vector collide

  Creating eye-catching imagery for print can be a balancing act between the two distinct worlds of computer-based design. Scott Hansen shows you how to get explosive results in Photoshop.

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  Tutorial

  Painting with light

  Recreating the work of an old master, Chuck Anderson uses brushes and glow tricks to create stunning light effects that look so real people are sure to look twice. Follow these steps and find out how it's done.

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  Tutorial

  Creative compositing

  By combining 2D and 3D elements you can create breathtaking composites. Hugo Delevante shows you how by explaining the creative process behind his piece Self Residual Image.

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  Tutorial

  Best Practice: Pixel art animation

  Trevor Van Meter uses animation tools to create a ten-frame run cycle for a pixel animation featuring the character he created in issue 117.

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  Tutorial

  Find freedom with FreeHand

  As well as being a great vector drawing package, Flash is an excellent layout application; offering great freedom and flexibility with imported images and icons.

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  Tutorial

  Animate your images

  Looking to bring your illustrations to life? James Wignall demonstrates the skills needed to transform vector images into a Saul Bass-inspired animated sequence using Illustrator and After Effects

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  Tutorial

  Trace and paint

  Use Adobe Illustrator CS2 to ink and colour a traditional comic-style drawing.

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  Tutorial

  Distress your fonts

  Looking to give your fonts a grungy, distressed effect? Then look no further. Thomas Schostok explains how to vectorize your bitmaps using Illustrator CS2’s new LiveTrace function to modify a typeface in FontLab 4

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