 |
In and out of Photoshop
If your illustrations become complacent and uninspired, break free of visual monotony by breaking away from your computer. Derek Lea shows you how to get out of Photoshop and come back in again
|
 |
Envelope distortion in Illustrator
Distortion effects can take the perfect lines of your vector illustration and give them a more organic or hand-sculpted appearance, says Sam Hampton-Smith
|
 |
Shape-based illustration
From the early Cubists to Siggi Eggertsson, there’s great design inspiration to come from mathematically derived shapes, as Ben the Illustrator reveals
|
 |
Adding perspective to maps
Mark Mayers shows you how to give flat Illustrator maps a third dimension by using the Free Transform tool and a custom perspective grid
|
 |
Create illustrations for events, editorial and companies
When you’re commissioned to produce an illustration, follow Mark Verhaagen’s advice on approaching the project
|
 |
Turning an image into a web page
DepthCORE's Justin Maller shows you how to create a fully interactive web page from an attention-grabbing piece of artwork
|
 |
A video panorama using stills
Jason Arber explains how to build a panorama in Photoshop then pan across it in After Effects
|
 |
Deep Zoom into your portfolio
You want an online portfolio, but one that’s more creative than a traditional slide show? Mike Ormond shows you how to achieve this using Silverlight 2’s Deep Zoom Composer feature
|